Pick one and then reflect on situations in this context that you have either: If you were in the situation yourself: Being annoyed or even angry can be a good starting point but to get it to somewhere funny you need to identify the absurdity. In this case it was an oversight but before he cleared it up there is a clear absurdity right there.
Pick one and then reflect on situations in this context that you have either: If you were in the situation yourself: Being annoyed or even angry can be a good starting point but to get it to somewhere funny you need to identify the absurdity.
In this case it was an oversight but before he cleared it up there is a clear absurdity right there. Keep a notebook of these kinds of observations — they can turn into sketches. He told John Cleese about this situation in conversation and Cleese felt there was a sketch in it.
Set up the dynamic Having identified a situation with an absurdity you then need to set up the sketch dynamic.
You will need two points-of-view POV in the sketch. The one with the normal POV is the foil as their reactions are needed to heighten the absurdity and create the comedy. The simplest way is to make it a two-hander but you can have any number of characters as long as there are two points of view.
For example, a three-hander with two points-of-view could be a married couple with the normal POV and a marriage guidance counsellor with the absurd POV. In the case of the faulty car: But sometimes there is added value in giving them a motive.
Here there is a strong sense that the mechanic is trying to fob the customer off to avoid expense and work. And finally, boil down the situation into a game: The game of the car sketch for the protagonist the mechanic is to get the customer to accept there is no problem with the car and to go away.
The game for the foil is to make the mechanic accept that there is a problem. They stick to their POVs and play out this game. The game is them trying to solve their problems. OR if the mechanic is simply mad, from his POV his problem is trying to make the customer see there is no problem with the car.
If you follow that fine distinction. Heighten the absurdity Now you have your situation, absurdity and characters you can now find the funniness by asking yourself: What would make the situation more absurd?
What would make the problem worse for your foil? Here you take the existing situation and heighten the absurdity. In the case of the delivery man not revealing what he is delivering, in reality he quite soon realised his oversight and told me.
In the sketch version you can heighten the absurdity by having him simply refusing to reveal what it is is it a letter, a parcel, a fridge, a three piece suite… until he has a signature.
The recipient would be reluctant to sign and would want to find out what the thing is. The deliver man would refuse until he had a signature. Going round and round this argument with both characters sticking to the game and trying to solve their problem is what makes a sketch.
I have to introduce more funny ideas. Just develop and heighten this one idea, which is what Cleese and Chapman do. This is enough to make a sketch. You can stop here is you have an idea that is tickling you. If you want to try and more out of it, move on to the next step.
They key thing is to maintain the game and the dynamic. Try changing the protagonist or the foil to different characters. Move the characters and situation to a different context.When I first started pursuing comedy, I was a complete newb. I had very little experience on stage, and even less experience in writing.
And by less I mean leslutinsduphoenix.com that point, the funniest thing I had written started with “yo mamma” and ended with a pun about Walmart. Ever thought you could write write a comedy sketch as good as the next guy? Writing razor-sharp dialogue may not be as easy as it looks.
Good comedy sketch writers observe their surroundings to learn what's funny and understand why. The first thing to do before you sit down and try and write a sketch, is to watch and read as many other comedy sketches as you can. Go to the library, borrow books, videos, tapes, records, lock yourself away and watch sketches until they come out of your ears.
Sample Comedy Sketch for Movie. INT. - Doctor Weinschtumps Office Examination Room, Daytime. The door to the examination room opens, and the Nurse leads Bradley in.
The first thing to do before you sit down and try and write a sketch, is to watch and read as many other comedy sketches as you can. Go to the library, borrow books, videos, tapes, records, lock yourself away and watch sketches until they come out of your ears.
If you have experience making comedy or good insights to share then The Comedy Crowd community would love to hear about it. Send us an email to [email protected] if you have a .